Letters to Max (2014)
Directed by Eric Baudelaire · Cinematography by Eric Baudelaire
103 min162 frames
Documentary
Stills, screencaps & shots from Letters to Max
16 of 162 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Letters to Max about?
A record of the epistolary encounter between French artist and filmmaker Eric Baudelaire and Maxim Gvinjia, former Foreign Minister of the breakaway Caucasian state of Abkhazia, Letters to Max is both a chronicle of a developing friendship and an ingenious, unusual essay film about the inherently speculative nature of nationhood.
Where can you watch Letters to Max?
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US availability for Letters to Max (2014). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Letters to Max?
- Maxim Gvinja
Who made Letters to Max?
What does the cinematography of Letters to Max look like?
Across 162 sampled frames, Letters to Max builds its coverage from medium shots (35% of the sample), with wide compositions (27%) carrying much of the rest. Cinematographer Eric Baudelaire keeps 85% of it in soft, naturalistic light. Daylight carries most of the picture.
What is the color palette of Letters to Max?
The dominant colors across the sampled frames of Letters to Max (2014) are #30302f, #515250, #d4d2cd, #f9f8f8, #8d8e8c, #acaeab — measured from the per-frame color data FrameThrower extracts for every film.
#30302f#515250#d4d2cd#f9f8f8#8d8e8c#acaeab
See the full Letters to Max colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 162 frames of Letters to Max (2014), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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