Let The Corpses Tan (2017)
Directed by Hélène Cattet, Bruno Forzani · Cinematography by Manuel Dacosse
92 min55 frames
ThrillerCrimeActionWestern
Who shall live and who shall die?!
Stills, screencaps & shots from Let The Corpses Tan
16 of 55 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Let The Corpses Tan — official trailer
What is Let The Corpses Tan about?
With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.
Where can you watch Let The Corpses Tan?
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US availability for Let The Corpses Tan (2017). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Let The Corpses Tan?
Who made Let The Corpses Tan?
Hélène CattetDirector
Bruno ForzaniDirector
Manuel DacosseCinematography- Eve CommengeProducer
What does the cinematography of Let The Corpses Tan look like?
Across 52 sampled frames, Let The Corpses Tan builds its coverage from close-ups (46% of the sample), with wide compositions (17%) carrying much of the rest. Low angles recur throughout. Cinematographer Manuel Dacosse keeps 35% of it in naturalistic light. Anamorphic glass shapes the frame. Focus stays shallow in 56% of the frames, isolating subjects from their surroundings.
What is the color palette of Let The Corpses Tan?
The dominant colors across the sampled frames of Let The Corpses Tan (2017) are #0a0807, #f8f8f8, #2c120e, #006797, #37322d, #03172e — measured from the per-frame color data FrameThrower extracts for every film.
#0a0807#f8f8f8#2c120e#006797#37322d#03172e
See the full Let The Corpses Tan colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Hélène Cattet, Bruno Forzani
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