Le Samouraï (1967)
Directed by Jean-Pierre Melville · Cinematography by Henri Decaë
GP101 min63 frames
CrimeThrillerDrama
His only friend was his gun!
Stills, screencaps & shots from Le Samouraï
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Le Samouraï — official trailer
What is Le Samouraï about?
After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.
Le Samouraï is a 1967 neo-noir crime thriller film written and directed by Jean-Pierre Melville and starring Alain Delon, François Périer, Nathalie Delon, and Cathy Rosier. A Franco-Italian production, it depicts the intersecting paths of a professional hitman (Delon) trying to find out who hired him for a job and then tried to have him killed, and the Parisian commissaire (Périer) trying to catch him.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Where can you watch Le Samouraï?
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US availability for Le Samouraï (1967). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Le Samouraï?
Who made Le Samouraï?
What does the cinematography of Le Samouraï look like?
Sampled across 63 frames, the coverage of Le Samouraï leans on medium shots (57% of the sample) and close-ups (22%). Cinematographer Henri Decaë keeps 67% of it in soft, low-key light. Night and dusk account for 67% of the frames. Vintage glass shapes the frame. Focus stays shallow in 75% of the frames, isolating subjects from their surroundings. The production design places the film in the 1960s.
What is the color palette of Le Samouraï?
The dominant colors across the sampled frames of Le Samouraï (1967) are #2d2f2f, #0e0f0f, #515350, #d3d3ce, #abafaa, #f8f8f7 — measured from the per-frame color data FrameThrower extracts for every film.
#2d2f2f#0e0f0f#515350#d3d3ce#abafaa#f8f8f7
See the full Le Samouraï colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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