Kuroneko (1968)
Directed by Kaneto Shindō · Cinematography by Kiyomi Kuroda
99 min53 frames
DramaFantasyHorror
Beware the haunted women who lurk in the bamboo forest as black cats craving the blood of samurai!
Stills, screencaps & shots from Kuroneko
16 of 53 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Kuroneko — official trailer
What is Kuroneko about?
In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost. He encounters the two beautiful women in an eerie, beautiful scene. After spiritual purification, he meets the demon in a thrilling fight.
Where can you watch Kuroneko?
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US availability for Kuroneko (1968). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Kuroneko?
Who made Kuroneko?
What does the cinematography of Kuroneko look like?
Sampled across 53 frames, the coverage of Kuroneko leans on wide compositions (34% of the sample) and medium shots (28%). Cinematographer Kiyomi Kuroda keeps 38% of it in soft, chiaroscuro light. Night and dusk account for 51% of the frames. Vintage glass shapes the frame.
What is the color palette of Kuroneko?
The dominant colors across the sampled frames of Kuroneko (1968) are #010101, #fefefe, #cccccc, #302f2f, #8a8a8a, #484848 — measured from the per-frame color data FrameThrower extracts for every film.
#010101#fefefe#cccccc#302f2f#8a8a8a#484848
See the full Kuroneko colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 53 frames of Kuroneko (1968), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Kaneto Shindō
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