Indiana Jones and the Temple of Doom (1984)

Directed by Steven Spielberg · Cinematography by Douglas Slocombe

PG118 min62 frames

AdventureAction

If adventure has a name... it must be Indiana Jones.

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Stills, screencaps & shots from Indiana Jones and the Temple of Doom

16 of 62 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Indiana Jones and the Temple of Doom (1984) — © Paramount Pictures, Lucasfilm Ltd.

Indiana Jones and the Temple of Doom — official trailer

What is Indiana Jones and the Temple of Doom about?

After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.

Where can you watch Indiana Jones and the Temple of Doom?

US availability for Indiana Jones and the Temple of Doom (1984). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Indiana Jones and the Temple of Doom?

Who made Indiana Jones and the Temple of Doom?

What does the cinematography of Indiana Jones and the Temple of Doom look like?

Sampled across 62 frames, the coverage of Indiana Jones and the Temple of Doom leans on wide compositions (35% of the sample) and medium shots (34%). Cinematographer Douglas Slocombe keeps 61% of it in soft, low-key light. Night and dusk account for 71% of the frames. Anamorphic glass shapes the frame. The production design places the film in the 1930s.

What is the color palette of Indiana Jones and the Temple of Doom?

The dominant colors across the sampled frames of Indiana Jones and the Temple of Doom (1984) are #312f2b, #2b140c, #100b0b, #ae9276, #504b38, #544d46 — measured from the per-frame color data FrameThrower extracts for every film.

  • #312f2b
  • #2b140c
  • #100b0b
  • #ae9276
  • #504b38
  • #544d46

See the full Indiana Jones and the Temple of Doom colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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