Immoral Tales (1974)
Directed by Walerian Borowczyk · Cinematography by Bernard Daillencourt, Guy Durban, Noël Véry, Michel Zolat
125 min49 frames
DramaRomance
Four Erotic tales that take us back through the centuries.
Stills, screencaps & shots from Immoral Tales
16 of 49 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
Immoral Tales — official trailer
What is Immoral Tales about?
Four erotic tales from in various historical eras. The first, 'The Tide', is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. 'Therese Philosophe' is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. 'Erzsebet Bathory' is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while 'Lucrezia Borgia' concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
Where can you watch Immoral Tales?
US availability for Immoral Tales (1974). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Immoral Tales?
Who made Immoral Tales?
What does the cinematography of Immoral Tales look like?
Sampled across 49 frames, the coverage of Immoral Tales leans on close-ups (47% of the sample) and medium shots (20%). Cinematographer Bernard Daillencourt keeps 67% of it in soft, naturalistic light. Focus stays shallow in 61% of the frames, isolating subjects from their surroundings.
What is the color palette of Immoral Tales?
The dominant colors across the sampled frames of Immoral Tales (1974) are #353331, #d5d3ca, #53524c, #adaea9, #d2c6b1, #ab9a89 — measured from the per-frame color data FrameThrower extracts for every film.
#353331#d5d3ca#53524c#adaea9#d2c6b1#ab9a89
See the full Immoral Tales colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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