Furia (1999)

Directed by Alexandre Aja · Cinematography by Gerry Fisher

90 min41 frames

DramaRomanceScience Fiction

After 13 years of struggle, the authorities seem to have restored order...

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Stills, screencaps & shots from Furia

16 of 41 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Furia (1999) — © Alexandre Films, Canal+

Furia — official trailer

What is Furia about?

In a desert town, sometime in the future, a repressive government regime restricts all forms of artistic expression. At night, Theo breaks the law, risking torture and death, to paint his work on public spaces. But when his lover Elia is arrested for committing the same crime, Theo allows himself to be captured hoping to somehow be reunited with her.

Who stars in Furia?

Who made Furia?

What does the cinematography of Furia look like?

Across 39 sampled frames, Furia builds its coverage from medium shots, with close-ups carrying much of the rest. Cinematographer Gerry Fisher keeps most of it in soft, low-key light. Most of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in most of the frames, isolating subjects from their surroundings.

What is the color palette of Furia?

The dominant colors across the sampled frames of Furia (1999) are #15110e, #35322b, #514936, #8b7454, #2b2319, #473b2d — measured from the per-frame color data FrameThrower extracts for every film.

  • #15110e
  • #35322b
  • #514936
  • #8b7454
  • #2b2319
  • #473b2d

See the full Furia colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 41 frames of Furia (1999), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

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