Falstaff (Chimes at Midnight) (1965)
Directed by Orson Welles · Cinematography by Edmond Richard
115 min40 frames
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A Distinguished Company Breathes Life Into Shakespeare’s Lusty Age of FALSTAFF
Stills, screencaps & shots from Falstaff (Chimes at Midnight)
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Falstaff (Chimes at Midnight) — official trailer
What is Falstaff (Chimes at Midnight) about?
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
Where can you watch Falstaff (Chimes at Midnight)?
US availability for Falstaff (Chimes at Midnight) (1965). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.
Who stars in Falstaff (Chimes at Midnight)?
Who made Falstaff (Chimes at Midnight)?
What does the cinematography of Falstaff (Chimes at Midnight) look like?
Across 40 sampled frames, Falstaff (Chimes at Midnight) builds its coverage from medium shots (38% of the sample), with wide compositions (35%) carrying much of the rest. Low angles recur throughout. Cinematographer Edmond Richard keeps 48% of it in hard-edged, naturalistic light. Daylight carries most of the picture. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 55% of the frames. The production design places the film in the medieval era.
What is the color palette of Falstaff (Chimes at Midnight)?
The dominant colors across the sampled frames of Falstaff (Chimes at Midnight) (1965) are #050505, #313131, #919191, #6c6c6c, #cccccc, #4f4f4f — measured from the per-frame color data FrameThrower extracts for every film.
#050505#313131#919191#6c6c6c#cccccc#4f4f4f
See the full Falstaff (Chimes at Midnight) colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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