Dorian Gray in the Mirror of the Yellow Press (1984)
Directed by Ulrike Ottinger · Cinematography by Ulrike Ottinger
150 min59 frames
Drama
Stills, screencaps & shots from Dorian Gray in the Mirror of the Yellow Press
16 of 59 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is Dorian Gray in the Mirror of the Yellow Press about?
The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.
Where can you watch Dorian Gray in the Mirror of the Yellow Press?
US availability for Dorian Gray in the Mirror of the Yellow Press (1984). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Dorian Gray in the Mirror of the Yellow Press?
Who made Dorian Gray in the Mirror of the Yellow Press?
What does the cinematography of Dorian Gray in the Mirror of the Yellow Press look like?
Sampled across 59 frames, the coverage of Dorian Gray in the Mirror of the Yellow Press leans on medium shots (54% of the sample) and wide compositions (27%). Cinematographer Ulrike Ottinger keeps 42% of it in soft, low-key light. Night and dusk account for 46% of the frames. Anamorphic glass shapes the frame.
What is the color palette of Dorian Gray in the Mirror of the Yellow Press?
The dominant colors across the sampled frames of Dorian Gray in the Mirror of the Yellow Press (1984) are #2c2c2a, #0c0b0c, #52504d, #f5f5f3, #d0cfcc, #76726a — measured from the per-frame color data FrameThrower extracts for every film.
#2c2c2a#0c0b0c#52504d#f5f5f3#d0cfcc#76726a
See the full Dorian Gray in the Mirror of the Yellow Press colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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Techniques in this film
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