Constantine (2005)

Directed by Francis Lawrence · Cinematography by Philippe Rousselot

R121 min124 frames

FantasyActionHorror

Hell wants him. Heaven won't take him. Earth needs him.

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Stills, screencaps & shots from Constantine

16 of 124 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Constantine (2005) — © Village Roadshow Pictures, Lonely Film Productions

Constantine — official trailer

What is Constantine about?

John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.

Where can you watch Constantine?

US availability for Constantine (2005). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Constantine?

Who made Constantine?

What does the cinematography of Constantine look like?

Across 124 sampled frames, Constantine builds its coverage from medium shots (48% of the sample), with close-ups (37%) carrying much of the rest. Cinematographer Philippe Rousselot keeps 58% of it in soft, low-key light. 66% of the frames play at night or in the failing light of dusk. Anamorphic glass shapes the frame. Focus stays shallow in 85% of the frames, isolating subjects from their surroundings.

What is the color palette of Constantine?

The dominant colors across the sampled frames of Constantine (2005) are #32312d, #121110, #d3d2cb, #f7f9f9, #281710, #51534c — measured from the per-frame color data FrameThrower extracts for every film.

  • #32312d
  • #121110
  • #d3d2cb
  • #f7f9f9
  • #281710
  • #51534c

See the full Constantine colour palette — every hex with its share, plus warmth, saturation and luminance.

Constantine ranks in

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Techniques in this film

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