Camila (1984)
Directed by María Luisa Bemberg
R105 min202 frames
DramaRomance
Love against all odds
Stills, screencaps & shots from Camila
16 of 202 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Camila — official trailer
What is Camila about?
In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.
Camila is a 1984 Argentine drama film directed by María Luisa Bemberg, based on the story of the 19th-century Argentine socialite Camila O'Gorman. The story had previously been adapted in 1910 by Mario Gallo, in the now considered lost film Camila O'Gorman. It was nominated for the Academy Award for Best Foreign Language Film, marking the second time an Argentine film was nominated for this award.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
Who stars in Camila?
Who made Camila?
What does the cinematography of Camila look like?
Across 200 sampled frames, Camila builds its coverage from medium shots (67% of the sample), with close-ups (21%) carrying much of the rest. The lighting keeps 54% of it in soft, naturalistic light. Focus stays shallow in 92% of the frames, isolating subjects from their surroundings.
What is the color palette of Camila?
The dominant colors across the sampled frames of Camila (1984) are #352f2a, #d6c8ad, #4a372d, #544938, #cdb090, #a89174 — measured from the per-frame color data FrameThrower extracts for every film.
#352f2a#d6c8ad#4a372d#544938#cdb090#a89174
See the full Camila colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 202 frames of Camila (1984), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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