A Time To Love and A Time To Die (1985)
Directed by Douglas Sirk · Cinematography by Russell Metty
Approved132 min55 frames
DramaWarRomance
Born out of the blazing passions of war!
Stills, screencaps & shots from A Time To Love and A Time To Die
16 of 55 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
A Time To Love and A Time To Die — official trailer
What is A Time To Love and A Time To Die about?
A German soldier home on leave falls in love with a girl, then returns to World War II.
Who stars in A Time To Love and A Time To Die?
Who made A Time To Love and A Time To Die?
What does the cinematography of A Time To Love and A Time To Die look like?
Sampled across 52 frames, the coverage of A Time To Love and A Time To Die leans on wide compositions (46% of the sample) and medium shots (37%). Cinematographer Russell Metty keeps 69% of it in soft, naturalistic light. This is largely a daylight film — 73% of the frames play in daylight. Vintage glass shapes the frame. Deep focus keeps foreground and background readable at once in 67% of the frames.
What is the color palette of A Time To Love and A Time To Die?
The dominant colors across the sampled frames of A Time To Love and A Time To Die (1985) are #33322d, #54544d, #d5d3cc, #b1b1aa, #91918a, #76776f — measured from the per-frame color data FrameThrower extracts for every film.
#33322d#54544d#d5d3cc#b1b1aa#91918a#76776f
See the full A Time To Love and A Time To Die colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
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