A Family Thing (1996)
Directed by Richard Pearce · Cinematography by Fred Murphy
PG-13109 min139 frames
ComedyDrama
With family, everything is relative.
Stills, screencaps & shots from A Family Thing
16 of 139 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is A Family Thing about?
Earl Pilcher Jr. runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a Black woman who died in childbirth; plus, he has a half brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.
Where can you watch A Family Thing?
US availability for A Family Thing (1996). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in A Family Thing?
Who made A Family Thing?
What does the cinematography of A Family Thing look like?
Sampled across 139 frames, the coverage of A Family Thing leans on medium shots (62% of the sample) and wide compositions (19%). Cinematographer Fred Murphy keeps 65% of it in soft, naturalistic light. This is largely a daylight film — 67% of the frames play in daylight. Anamorphic glass shapes the frame. Focus stays shallow in 62% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.
What is the color palette of A Family Thing?
The dominant colors across the sampled frames of A Family Thing (1996) are #30302e, #d4d1c8, #50504c, #0d0d0e, #928a77, #cfc7b1 — measured from the per-frame color data FrameThrower extracts for every film.
#30302e#d4d1c8#50504c#0d0d0e#928a77#cfc7b1
See the full A Family Thing colour palette — every hex with its share, plus warmth, saturation and luminance.
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