You've Got Mail (1998)

Directed by Nora Ephron · Cinematography by John Lindley

PG119 min152 frames

ComedyRomance

Someone you pass on the street may already be the love of your life.

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Stills, screencaps & shots from You've Got Mail

16 of 152 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

You've Got Mail (1998) — © Warner Bros. Pictures, The Donners' Company

You've Got Mail — official trailer

What is You've Got Mail about?

Book superstore magnate Joe Fox and independent book shop owner Kathleen Kelly fall in love in the anonymity of the Internet—both blissfully unaware that he's trying to put her out of business.

Where can you watch You've Got Mail?

US availability for You've Got Mail (1998). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in You've Got Mail?

Who made You've Got Mail?

What does the cinematography of You've Got Mail look like?

Across 152 sampled frames, medium shots dominate the coverage of You've Got Mail (70% of the sample). Cinematographer John Lindley keeps 45% of it in soft, naturalistic light. 43% of the frames play at night or in the failing light of dusk. Focus stays shallow in 72% of the frames, isolating subjects from their surroundings.

What is the color palette of You've Got Mail?

The dominant colors across the sampled frames of You've Got Mail (1998) are #342f2c, #f7f6f4, #11100f, #d3d2cc, #55514c, #d4c5ae — measured from the per-frame color data FrameThrower extracts for every film.

  • #342f2c
  • #f7f6f4
  • #11100f
  • #d3d2cc
  • #55514c
  • #d4c5ae

See the full You've Got Mail colour palette — every hex with its share, plus warmth, saturation and luminance.

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