U-Turn (1997)
Directed by Oliver Stone · Cinematography by Robert Richardson
R125 min56 frames
CrimeDramaThrillerRomance
Sex. Murder. Betrayal. Everything that makes life worth living.
Stills, screencaps & shots from U-Turn
16 of 56 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















U-Turn — official trailer
What is U-Turn about?
When a desperate man’s car breaks down in a bizarre desert town while evading vengeful bookies, he becomes entangled in a dangerous love triangle. Caught between a married couple, he’s faced with deadly contracts to kill them both.
Where can you watch U-Turn?
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US availability for U-Turn (1997). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in U-Turn?
Who made U-Turn?
What does the cinematography of U-Turn look like?
Across 56 sampled frames, U-Turn builds its coverage from medium shots (38% of the sample), with close-ups (25%) carrying much of the rest. Cinematographer Robert Richardson keeps 63% of it in naturalistic light. Daylight carries most of the picture. Vintage glass shapes the frame. Focus stays shallow in 59% of the frames, isolating subjects from their surroundings.
What is the color palette of U-Turn?
The dominant colors across the sampled frames of U-Turn (1997) are #342f2b, #110f0e, #271a13, #d0ad90, #4d372b, #564638 — measured from the per-frame color data FrameThrower extracts for every film.
#342f2b#110f0e#271a13#d0ad90#4d372b#564638
See the full U-Turn colour palette — every hex with its share, plus warmth, saturation and luminance.
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