The River (1951)

Directed by Jean Renoir · Cinematography by Claude Renoir

Approved99 min63 frames

DramaRomance

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Stills, screencaps & shots from The River

16 of 63 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

The River (1951) — © Oriental International Films

The River — official trailer

What is The River about?

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

Where can you watch The River?

US availability for The River (1951). Provided by Streaming Availability API by Movie of the Night. Availability changes — check the provider for current listings.

Who stars in The River?

Who made The River?

What does the cinematography of The River look like?

Sampled across 63 frames, the coverage of The River leans on medium shots (56% of the sample) and close-ups (19%). Cinematographer Claude Renoir keeps 52% of it in soft, naturalistic light. This is largely a daylight film — 65% of the frames play in daylight. Vintage glass shapes the frame. Focus stays shallow in 65% of the frames, isolating subjects from their surroundings.

What is the color palette of The River?

The dominant colors across the sampled frames of The River (1951) are #34312e, #54514c, #d6c4af, #8c6d54, #8f7770, #c9ad92 — measured from the per-frame color data FrameThrower extracts for every film.

  • #34312e
  • #54514c
  • #d6c4af
  • #8c6d54
  • #8f7770
  • #c9ad92

See the full The River colour palette — every hex with its share, plus warmth, saturation and luminance.

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Techniques in this film

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