The Mirror (2014)
Directed by Edward Boase
88 min65 frames
Horror
Stills, screencaps & shots from The Mirror
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
What is The Mirror about?
There is a long-held belief that mirrors act as gateways to another dimension. ·Some also believe the looking glass plays host to a world filled with evil spirits. Such superstition has been the basis for ancient folklore legends about haunting and possession. And one tale about a supposedly haunted mirror was picked up by the media in 2012. Both the Daily Mail and Huffington Post reported on how the owners of a recently purchased antique mirror left them dogged by bad luck, financial misery, strange sightings and death-defying illness. Now writer/director Edward Boase brings that horrifying story to the screen starring Jemma Dallender (I SPIT ON YOUR GRAVE 2), Joshua Dickinson and Nate Fallows (‘Whitechapel’) as flatmates who buy the same eerie antique on ebay and set up round the clock cameras in the hopes of capturing evidence of bumps in the night. You have been warned!
Where can you watch The Mirror?
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Who stars in The Mirror?
Who made The Mirror?
What does the cinematography of The Mirror look like?
Sampled across 65 frames, the coverage of The Mirror leans on medium shots (68% of the sample) and wide compositions (15%). The lighting keeps 98% of it in soft, naturalistic light. This is largely a daylight film — 89% of the frames play in daylight. Vintage glass shapes the frame. Focus stays shallow in 57% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.
What is the color palette of The Mirror?
The dominant colors across the sampled frames of The Mirror (2014) are #333230, #d6d2ca, #f8f8f7, #535049, #8d7a6b, #938a78 — measured from the per-frame color data FrameThrower extracts for every film.
#333230#d6d2ca#f8f8f7#535049#8d7a6b#938a78
See the full The Mirror colour palette — every hex with its share, plus warmth, saturation and luminance.
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