The Man Who Knew Too Much (1956)
Directed by Alfred Hitchcock · Cinematography by Robert Burks
PG120 min65 frames
ThrillerMystery
A little knowledge can be a deadly thing!
Stills, screencaps & shots from The Man Who Knew Too Much
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
The Man Who Knew Too Much — official trailer
What is The Man Who Knew Too Much about?
An American doctor and his wife, a former singing star, witness a murder while vacationing in Morocco, and are drawn into a twisting plot of international intrigue when their young son is kidnapped.
The Man Who Knew Too Much is a 1956 American mystery thriller film directed and produced by Alfred Hitchcock, starring James Stewart and Doris Day. It is a remake of Hitchcock's own 1934 film of the same name, with a similar but significantly altered plot.
Second paragraph from Wikipedia, available under CC BY-SA 4.0.
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Who stars in The Man Who Knew Too Much?
Who made The Man Who Knew Too Much?
What does the cinematography of The Man Who Knew Too Much look like?
Across 65 sampled frames, The Man Who Knew Too Much builds its coverage from medium shots (51% of the sample), with wide compositions (18%) carrying much of the rest. Cinematographer Robert Burks keeps 43% of it in soft, naturalistic light. 43% of the frames play at night or in the failing light of dusk. Focus stays shallow in 60% of the frames, isolating subjects from their surroundings. The production design places the film in the 1950s.
What is the color palette of The Man Who Knew Too Much?
The dominant colors across the sampled frames of The Man Who Knew Too Much (1956) are #342f2c, #131010, #76716c, #504f4e, #2b231c, #d5d1c8 — measured from the per-frame color data FrameThrower extracts for every film.
#342f2c#131010#76716c#504f4e#2b231c#d5d1c8
See the full The Man Who Knew Too Much colour palette — every hex with its share, plus warmth, saturation and luminance.
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