The Docks of New York (1928)
Directed by Josef von Sternberg · Cinematography by Harold Rosson
76 min61 frames
DramaRomance
Stills, screencaps & shots from The Docks of New York
16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is The Docks of New York about?
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
Where can you watch The Docks of New York?
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Who stars in The Docks of New York?
Who made The Docks of New York?
What does the cinematography of The Docks of New York look like?
Across 61 sampled frames, The Docks of New York builds its coverage from medium shots (59% of the sample), with close-ups (16%) carrying much of the rest. Cinematographer Harold Rosson keeps 70% of it in soft, low-key light. 66% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 59% of the frames, isolating subjects from their surroundings.
What is the color palette of The Docks of New York?
The dominant colors across the sampled frames of The Docks of New York (1928) are #8d8d8d, #040404, #4c4c4c, #2e2e2e, #cacaca, #6c6c6c — measured from the per-frame color data FrameThrower extracts for every film.
#8d8d8d#040404#4c4c4c#2e2e2e#cacaca#6c6c6c
See the full The Docks of New York colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 61 frames of The Docks of New York (1928), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Josef von Sternberg
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