Paris Blues (1961)

Directed by Martin Ritt · Cinematography by Christian Matras

Approved98 min118 frames

RomanceDramaMusic

A love-spectacular so personally exciting, you feel it's happening to you!

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Stills, screencaps & shots from Paris Blues

16 of 118 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Paris Blues (1961) — © Monmouth, Pennebaker Productions

Paris Blues — official trailer

What is Paris Blues about?

During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.

Where can you watch Paris Blues?

US availability for Paris Blues (1961). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Paris Blues?

Who made Paris Blues?

What does the cinematography of Paris Blues look like?

Sampled across 118 frames, the coverage of Paris Blues leans on medium shots (68% of the sample) and wide compositions (15%). Cinematographer Christian Matras keeps 41% of it in soft, low-key light. Night and dusk account for 59% of the frames. Vintage glass shapes the frame. Focus stays shallow in 57% of the frames, isolating subjects from their surroundings. The production design places the film in the 1960s.

What is the color palette of Paris Blues?

The dominant colors across the sampled frames of Paris Blues (1961) are #010101, #fdfdfd, #858585, #c6c6c6, #464646, #313131 — measured from the per-frame color data FrameThrower extracts for every film.

  • #010101
  • #fdfdfd
  • #858585
  • #c6c6c6
  • #464646
  • #313131

See the full Paris Blues colour palette — every hex with its share, plus warmth, saturation and luminance.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 118 frames of Paris Blues (1961), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.

Techniques in this film

More films by Martin Ritt

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