Misery (1990)

Directed by Rob Reiner · Cinematography by Barry Sonnenfeld

R107 min61 frames

DramaThriller

Paul Sheldon used to write for a living. Now, he’s writing to stay alive.

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Stills, screencaps & shots from Misery

16 of 61 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.

Misery (1990) — © Castle Rock Entertainment, Nelson Entertainment

Misery — official trailer

What is Misery about?

After an accident, acclaimed novelist Paul Sheldon is rescued by a nurse who claims to be his biggest fan. Her obsession takes a dark turn when she holds him captive in her remote Colorado home and forces him to write back to life the popular literary character he killed off.

Where can you watch Misery?

US availability for Misery (1990). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.

Who stars in Misery?

Who made Misery?

What does the cinematography of Misery look like?

Sampled across 61 frames, the coverage of Misery leans on close-ups (44% of the sample) and medium shots (23%). Cinematographer Barry Sonnenfeld keeps 48% of it in soft, low-key light. Night and dusk account for 51% of the frames. Focus stays shallow in 61% of the frames, isolating subjects from their surroundings. The production design places the film in the 1990s.

What is the color palette of Misery?

The dominant colors across the sampled frames of Misery (1990) are #2f2e2c, #53504b, #d2d3d3, #f2f1f0, #141314, #241c17 — measured from the per-frame color data FrameThrower extracts for every film.

  • #2f2e2c
  • #53504b
  • #d2d3d3
  • #f2f1f0
  • #141314
  • #241c17

See the full Misery colour palette — every hex with its share, plus warmth, saturation and luminance.

Misery ranks in

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Techniques in this film

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