Meet Me In St. Louis (1944)
Directed by Vincente Minnelli · Cinematography by George J. Folsey
Approved113 min65 frames
ComedyDramaRomanceFamily
Glorious love story with music!
Stills, screencaps & shots from Meet Me In St. Louis
16 of 65 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















Meet Me In St. Louis — official trailer
What is Meet Me In St. Louis about?
A year in the life of a turn-of-the-century middle class family, leading up to the opening of the 1904 St. Louis World's Fair.
Where can you watch Meet Me In St. Louis?
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US availability for Meet Me In St. Louis (1944). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Meet Me In St. Louis?
Who made Meet Me In St. Louis?
What does the cinematography of Meet Me In St. Louis look like?
Across 65 sampled frames, medium shots dominate the coverage of Meet Me In St. Louis (75% of the sample). Cinematographer George J. Folsey keeps 46% of it in soft, high-key light. 58% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 68% of the frames, isolating subjects from their surroundings. The production design places the film in the 1940s.
What is the color palette of Meet Me In St. Louis?
The dominant colors across the sampled frames of Meet Me In St. Louis (1944) are #31292c, #4b3332, #d2b6a9, #f3f1ef, #171213, #e7d7c7 — measured from the per-frame color data FrameThrower extracts for every film.
#31292c#4b3332#d2b6a9#f3f1ef#171213#e7d7c7
See the full Meet Me In St. Louis colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 65 frames of Meet Me In St. Louis (1944), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
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