Lola (1981)
Directed by Rainer Werner Fassbinder · Cinematography by Xaver Schwarzenberger
R115 min64 frames
Drama
Stills, screencaps & shots from Lola
16 of 64 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Lola about?
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
Where can you watch Lola?
US availability for Lola (1981). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Lola?
Who made Lola?
What does the cinematography of Lola look like?
Across 64 sampled frames, Lola builds its coverage from medium shots (55% of the sample), with close-ups (19%) carrying much of the rest. Cinematographer Xaver Schwarzenberger keeps 66% of it in soft, low-key light. 64% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 66% of the frames, isolating subjects from their surroundings.
What is the color palette of Lola?
The dominant colors across the sampled frames of Lola (1981) are #120f0f, #362d2b, #2f0e0c, #d4d1ca, #52504a, #a59074 — measured from the per-frame color data FrameThrower extracts for every film.
#120f0f#362d2b#2f0e0c#d4d1ca#52504a#a59074
See the full Lola colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
FrameThrower is a fully machine-searchable film database and visual reference library — all 64 frames of Lola (1981), and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.
Techniques in this film
More films by Rainer Werner Fassbinder
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