In the Heat of the Night (1967)
Directed by Norman Jewison · Cinematography by Haskell Wexler
Approved110 min169 frames
CrimeDramaMysteryThriller
They got a murder on their hands. They don’t know what to do with it.
Stills, screencaps & shots from In the Heat of the Night
16 of 169 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















In the Heat of the Night — official trailer
What is In the Heat of the Night about?
African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.
Where can you watch In the Heat of the Night?
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Who stars in In the Heat of the Night?
Who made In the Heat of the Night?
What does the cinematography of In the Heat of the Night look like?
Sampled across 169 frames, the coverage of In the Heat of the Night leans on medium shots (54% of the sample) and close-ups (18%). Cinematographer Haskell Wexler keeps 52% of it in soft, naturalistic light. Night and dusk account for 43% of the frames. Vintage glass shapes the frame. Focus stays shallow in 61% of the frames, isolating subjects from their surroundings. The production design places the film in the 1960s.
What is the color palette of In the Heat of the Night?
The dominant colors across the sampled frames of In the Heat of the Night (1967) are #312f2d, #53514d, #121010, #d2cfc9, #938874, #d3c9b2 — measured from the per-frame color data FrameThrower extracts for every film.
#312f2d#53514d#121010#d2cfc9#938874#d3c9b2
See the full In the Heat of the Night colour palette — every hex with its share, plus warmth, saturation and luminance.
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