Ga-ga: Glory to the Heroes (1986)
Directed by Piotr Szulkin · Cinematography by Edward Kłosiński
84 min151 frames
Science FictionComedyDrama
Hard to be a Hero
Stills, screencaps & shots from Ga-ga: Glory to the Heroes
16 of 151 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is Ga-ga: Glory to the Heroes about?
Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes with a high price; his own violent demise, broadcast live for the viewing pleasure of Australia 458's inhabitants.
Where can you watch Ga-ga: Glory to the Heroes?
US availability for Ga-ga: Glory to the Heroes (1986). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in Ga-ga: Glory to the Heroes?
Who made Ga-ga: Glory to the Heroes?
What does the cinematography of Ga-ga: Glory to the Heroes look like?
Sampled across 150 frames, the coverage of Ga-ga: Glory to the Heroes leans on medium shots (54% of the sample) and wide compositions (25%). Cinematographer Edward Kłosiński keeps 94% of it in soft, low-key light. Night and dusk account for 97% of the frames. Vintage glass shapes the frame. Focus stays shallow in 73% of the frames, isolating subjects from their surroundings.
What is the color palette of Ga-ga: Glory to the Heroes?
The dominant colors across the sampled frames of Ga-ga: Glory to the Heroes (1986) are #2e302f, #4d514f, #0f1011, #2d394c, #1c242d, #3a494e — measured from the per-frame color data FrameThrower extracts for every film.
#2e302f#4d514f#0f1011#2d394c#1c242d#3a494e
See the full Ga-ga: Glory to the Heroes colour palette — every hex with its share, plus warmth, saturation and luminance.
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Techniques in this film
More films by Piotr Szulkin
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