D.O.A. (1949)
Directed by Rudolph Maté · Cinematography by Ernest Laszlo
Approved83 min52 frames
MysteryThrillerCrime
A Picture As Excitingly Different As Its Title!
Stills, screencaps & shots from D.O.A.
16 of 52 frames — the full set is searchable by lighting, lens, shot size, color and mood with a free account.
















What is D.O.A. about?
Frank Bigelow is about to die, and he knows it. The accountant has been poisoned and has only 24 hours before the lethal concoction kills him. Determined to find out who his murderer is, Frank, with the help of his assistant and girlfriend, Paula, begins to trace back over his last steps. As he frantically tries to unravel the mystery behind his own impending demise, his sleuthing leads him to a group of crooked businessmen and another murder.
Where can you watch D.O.A.?
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US availability for D.O.A. (1949). Data by JustWatch, listings on TMDB. Availability changes — check the provider for current listings.
Who stars in D.O.A.?
Who made D.O.A.?
What does the cinematography of D.O.A. look like?
Across 52 sampled frames, medium shots dominate the coverage of D.O.A. (73% of the sample). Cinematographer Ernest Laszlo keeps 56% of it in soft, low-key light. 56% of the frames play at night or in the failing light of dusk. Vintage glass shapes the frame. Focus stays shallow in 69% of the frames, isolating subjects from their surroundings. The production design places the film in the 1940s.
What is the color palette of D.O.A.?
The dominant colors across the sampled frames of D.O.A. (1949) are #030303, #fafafa, #8a8a8a, #313131, #c7c7c7, #444444 — measured from the per-frame color data FrameThrower extracts for every film.
#030303#fafafa#8a8a8a#313131#c7c7c7#444444
See the full D.O.A. colour palette — every hex with its share, plus warmth, saturation and luminance.
A reference database for filmmakers
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