framethrowerSign up for free

FrameThrower · Actors · Dylan Baker

Dylan Baker

Dylan Baker

11 films · 780 frames · top-billed in 1 · 19982023

Born 7 October 1959 · Syracuse, New York, USA

Dylan Baker is an American actor. He gained recognition for his roles in films such as Planes, Trains and Automobiles, Happiness, Thirteen Days, Road to Perdition, Spider-Man 2, Spider-Man 3, Trick 'r Treat, Revolutionary Road, Anchorman 2: The Legend Continues, and Selma. On television he has had prominent roles in series such as Murder One, The Good Wife, Damages, The Americans, and Homeland. For The Good Wife he earned three Primetime Emmy Award nominations.

Baker was nominated for a Tony Award and a Drama Desk Award for his performance in the original production of La Bête in 1991. He made his directorial debut with the film 23 Blast in 2013.

Description above from the Wikipedia article Dylan Baker, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Awards

On FrameThrower we have: 11 films · 780 frames · top-billed in 1 · 19982023

  • Theatre World Award1989

How their films are shot

Measured across 780 frames from the 11 films we hold. This is the look of the work Dylan takes, not a claim about any single frame — we index the cast of a film, never the people in a shot.

Across the 11 films we hold, 46% of their frames are night, 44% low key — the look of the work Dylan takes.

Time of day

Night46%
Day44%
Interior8%

Lighting

Low key44%
Natural38%
High key15%

Shot size

Medium45%
Wide26%
Closeup20%
Fullbody5%

Camera angle

Eye level86%
High angle6%
Low angle5%

Mood

Neutral59%
Tense21%
Lonely9%
Ominous8%

Films in the library

Every poster opens that film — stills, cinematography notes and colour palette.

Often with

Shared films in this library, not a full filmography.

A reference database for filmmakers

FrameThrower is a fully machine-searchable film database and visual reference library — all 780 frames from Dylan Baker's 11 films, and 5,000+ films besides, indexed frame by frame and readable by AI. Search it in plain language, from a reference image, or by colour; call it from an API, an MCP server or an SDK. It's the reference layer for making the next movie.